The Hague artists

Every Era is characterized by the inanimate objects it has produced. In museums, an entire civilization is portrayed in anthropological means by the careful recognition and categorization of tools, furniture and any other surviving materials received from the subject matter. NATURA MORTA2019 subjects typical inanimate objects that belong and characterize our era. Making use of the traditional composition strategies used in still life paintings, I reframe the way we look at the function of these objects; a link between the past and the present to serve the future.

Ikea Shelf, Hardwood, Bear Claw, Cast Plaster, Aluminium, Plexiglass

MDF, Laser cut Plexiglass, Engraved Metal, Hardwood, Leash, Chain.


Installation at het HEM, ALL-INN 2021

Art Rotterdam

Het HEM, ALL-INN exhbition

Grabbelton object, part of ZEN SUPERMARKET, Graduation Show, september 2020

Part of ZEN SUPERMARKET

Graduation Show, September 2020 In the installation ZEN SUPERMARKET I search for a balance between the silence, calmness and wisdom of a Zen stone garden, as I encountered during my time in Japan last year, and the abundant colorful richness that you can find in a supermarket in 2020, with it’s endless rows of plastic-packed colorful shapes; to come to a new philosophy where these two opposites merge together. Trough this I try to create a new positive language that combines the eastern values and aesthetics with the western. Making a playground where your mind can rest from the dominant intellectual structures we have developed in our minds, to open your self up to a playfulness that speaks to your intuitive, bodily understanding of form.

Part of ZEN SUPERMARKET

Part of ZEN SUPERMARKET, Graduation Show, September 2020

Installation at Tokyo Zokei University, Japan, july 2019. being a sieve, some things fit, some things don’t what will stay? A reflection on the unconscious interpreting of our surrounding. The common vs the alien. How people are like puzzles and sieves. Inspired by food, architecture, tea ceremony. Playing with the boundaries between decoration and art. Please enter without you shoes and sit in this room with me....

Detail of Installation at Tokyo Zokei University, Japan, july 2019.

an island of objects that float like a painting in the ocean a zen garden mixes with colours of candy a serving tray, serving you everything you need 2d, 3d, 4d, 5d, 1000 years ago there was a civilization using material to make tools for understanding the nothing into everyday life Exhibited at the note-to-self exhibition, (4th year fine arts pre-end exam show) at Helena van Doeverenplantsoen in The Hague, december 2019.

This form is for you Interactive grabbelton object at the note-to-self exhibition, december 2019, The Hague.

A play between 2D and 3D. Translating the shapes in my paintings into physical objects. A research in translating the 2d to 3d. Shapes can be drawn with a few fast lines, but to make this shape in 3D from clay you have to deal with the limits of the material, that are under the laws of of physicality. You have to deal with corners, weight, size etc. What happens when a shape becomes an object? What presence or character does the form radiate?

Installation January 2018 From windowsill to bookshelves, thoughts behind the pans three-hundred windows of paint bake my eggs until they are tasty sunflowers the whole year gold together with my stuff I get old empty little pans of fabric the silent objects will keep standing but the people will come and go. Questioning the boundaries between decoration and art, between a home space and a white-cube space. What is the difference between a kettle on the stove, a seashell lying in a windowsill, a sculpture made by a child standing on a shelf and an artwork that I've made......

Immersive installatie die de volledige 7e verdieping van PARADISE AIR in gebruik neemt, gesitueerd in een oud hotel.

Wol, washi papier, hout, video, stof

Immersieve installatie, behang, katoenen draad

video, 65 minuten

video, 4 minuten

video, 9 minuten

Performance, nep bont, fauteuil. Foto door Pieter Kers

Immersieve installatie met performance, behang, katoenen draad. Foto door Paulina Winiarska

Sculptuur, nep bont, wol. Foto door Paulina Winiarska

Sculptuur, oude gordijnen. Foto door Maarten Boswijk

Immersieve installatie met performance, schapen wol, hout, meubels. Foto door Django van Ardenne

Teer, foam, stof, keramiek

Onderdeel van de Portretserie 2016 - Lopend

Onderdeel van de Portretserie 2016 - Lopend

Onderdeel van de Portretserie 2016 - Lopend

Filmhuis Den Haag 2020

Ontwerp & Binding door: Zuzanna Loch Afdrukken: RISO in Flat Gold Beperkte oplage van 10

KABK Graduation Festival 2019

Installation Shot; Good Work, The Grey Space in the Middle, The Hague

Onderdeel van de Portretserie 2016 - Lopend

Onderdeel van de Portretserie 2016 - Lopend

Spiegeling van het onderscheid tussen wilde, ruwe natuur en serene licht. Alle pogingen om werken te creëren die een gevoel van rust overbrengen en de toeschouwer verbinden met de natuur door de schoonheid in eenvoud te benadrukken, zoals onverwachte, vaak over het hoofd geziene details.

Verborgen in Daglicht is een project dat zorgvuldig gekozen bloeiende planten toont, die bepaalde kenmerken vertegenwoordigen die behouden moeten blijven. Het behandelt de duisternis van deze tijden, zowel intern als extern. De sterke contrasten en serene lichten komen uit de duisternis, maar weerspiegelen hoop. Deze cyclus van verval en wedergeboorte is zeer aanwezig in ecologische systemen en moedigt mij aan de architectuur van de voorbijgaande dagen opnieuw te leren.

Staar in de maximale helderheid van het scherm of de zonvorm, terwijl je de blik vasthoudt; de omgeving wordt onmiddellijk donkerder en met gesloten ogen blijft het optische echo van het scherm aanwezig. Gefocust op het nabeeld dat ontstaat door de residuele activiteit, dat licht behoudt nadat de bron verdwenen is. De schilderijen zijn gegenereerde beelden van de herinneringen aan zo'n situatie. En aangezien het schildermedium wordt afgevlakt, gereproduceerd, bewerkt en verspreid over meerdere systemen en apparaten, krijgt de vervaging zijn metaforische dimensie.

Staar in de maximale helderheid van het scherm of de zonvorm, terwijl je de blik vasthoudt; de omgeving wordt onmiddellijk donkerder en met gesloten ogen blijft het optische echo van het scherm aanwezig. Gefocust op het nabeeld dat ontstaat door de residuele activiteit, dat licht behoudt nadat de bron verdwenen is. De schilderijen zijn gegenereerde beelden van de herinneringen aan zo'n situatie. En aangezien het schildermedium wordt afgevlakt, gereproduceerd, bewerkt en verspreid over meerdere systemen en apparaten, krijgt de vervaging zijn metaforische dimensie.

Film still

Film still

Film still

Film still

Film still

Film still

Film still

Film still

Film still

Film still

Film still

Film still

'The blind point' shown at 'The New Current' exhibition, 2022

Still from "The blind point"

Still from "The blind point"

Still from "The blind point"

Still from "The blind point"

Still from "The blind point"

Still from "Tests for philosophy on media / The quintessential object"

Still from "Tests for philosophy on media / Latour litanies"

'Virtual squat' exhibited in 'I miss you, home', 2021

Still from "It's not our duty"

Still from "It's not our duty"

Still from "It's not our duty"

Still from "Virtual squat"

Still from "Virtual squat"