Kacper Ziemianin

‘LightSeq’ - an audio sequencer and instrument controlled with light, see documentation at: https://vimeo.com/172218999

‘SoundLapse’ is an ongoing project that takes form of a series of experimental field recordings. Listen to examples at: https://soundcloud.com/kaziem/sets/soundlapses-1

'SoundHack The Barbican' took place in London in summer 2013 at the Barbican Arts center. Using a number of microphones sounds of Barbican have been amplified and then played in real-time on a PA in the Fountain Room. see documentation at: https://vimeo.com/196130706

documentation: https://vimeo.com/65815077

All sound come to live and are controlled by light, using 'lightefface' instrument (find out more about it in this video: vimeo.com/59142013 ). Various light sources lend themselves to different sound manipulation techniques.see documentation at: https://vimeo.com/88595140

The central point of the installation is a clock. Visitors can bring to life and explore sounds from various times of the day by moving their hands around the clock. This way they create their own journey through the time and soundscapes. see documentation at: https://vimeo.com/53553897

see video documentation at: https://vimeo.com/12931980 Under each of the round containers with water there is a speaker. Each speaker produces a sine tone of a frequency that depends directly on the time at a given moment. The time is projected onto containers. The sound makes the water vibrate and reflections of the water create an interesting result... In order to make the passing time more intensive, minutes get louder with every second. I decided to use very low frequencies (between 8-120 hertz) because they gave the best results. 8 Hertz is below the audible range of human being so sometimes we can see the sound but we can not actually hear it.

see video documentation at: https://vimeo.com/12931980 Under each of the round containers with water there is a speaker. Each speaker produces a sine tone of a frequency that depends directly on the time at a given moment. The time is projected onto containers. The sound makes the water vibrate and reflections of the water create an interesting result... In order to make the passing time more intensive, minutes get louder with every second. I decided to use very low frequencies (between 8-120 hertz) because they gave the best results. 8 Hertz is below the audible range of human being so sometimes we can see the sound but we can not actually hear it.