Inge van Mill

The exhibition highlights the research I’ve been conducting since 2013 into different realities that often seem fixed, but which I actually question. The image of reality that is presented to society can condition us and shape our frame of reference. By showing different perspectives, responding with my own observations, and outlining possible scenarios, I’m challenging the viewer to broaden their horizons. Both projects depict the changing world. Where is the partY…? offers a reflection on an ominous society and vision of the future and The Brink 2020 looks at the Covid-19 pandemic from an inner perspective composed of documentary images.

The exhibition highlights the research I’ve been conducting since 2013 into different realities that often seem fixed, but which I actually question. The image of reality that is presented to society can condition us and shape our frame of reference. By showing different perspectives, responding with my own observations, and outlining possible scenarios, I’m challenging the viewer to broaden their horizons. Both projects depict the changing world. Where is the partY…? offers a reflection on an ominous society and vision of the future and The Brink 2020 looks at the Covid-19 pandemic from an inner perspective composed of documentary images.

The exhibition highlights the research I’ve been conducting since 2013 into different realities that often seem fixed, but which I actually question. The image of reality that is presented to society can condition us and shape our frame of reference. By showing different perspectives, responding with my own observations, and outlining possible scenarios, I’m challenging the viewer to broaden their horizons. Both projects depict the changing world. Where is the partY…? offers a reflection on an ominous society and vision of the future and The Brink 2020 looks at the Covid-19 pandemic from an inner perspective composed of documentary images.

The exhibition highlights the research I’ve been conducting since 2013 into different realities that often seem fixed, but which I actually question. The image of reality that is presented to society can condition us and shape our frame of reference. By showing different perspectives, responding with my own observations, and outlining possible scenarios, I’m challenging the viewer to broaden their horizons. Both projects depict the changing world. Where is the partY…? offers a reflection on an ominous society and vision of the future and The Brink 2020 looks at the Covid-19 pandemic from an inner perspective composed of documentary images.

The exhibition highlights the research I’ve been conducting since 2013 into different realities that often seem fixed, but which I actually question. The image of reality that is presented to society can condition us and shape our frame of reference. By showing different perspectives, responding with my own observations, and outlining possible scenarios, I’m challenging the viewer to broaden their horizons. Both projects depict the changing world. Where is the partY…? offers a reflection on an ominous society and vision of the future and The Brink 2020 looks at the Covid-19 pandemic from an inner perspective composed of documentary images.

The exhibition highlights the research I’ve been conducting since 2013 into different realities that often seem fixed, but which I actually question. The image of reality that is presented to society can condition us and shape our frame of reference. By showing different perspectives, responding with my own observations, and outlining possible scenarios, I’m challenging the viewer to broaden their horizons. Both projects depict the changing world. Where is the partY…? offers a reflection on an ominous society and vision of the future and The Brink 2020 looks at the Covid-19 pandemic from an inner perspective composed of documentary images.

The exhibition highlights the research I’ve been conducting since 2013 into different realities that often seem fixed, but which I actually question. The image of reality that is presented to society can condition us and shape our frame of reference. By showing different perspectives, responding with my own observations, and outlining possible scenarios, I’m challenging the viewer to broaden their horizons. Both projects depict the changing world. Where is the partY…? offers a reflection on an ominous society and vision of the future and The Brink 2020 looks at the Covid-19 pandemic from an inner perspective composed of documentary images.

The exhibition highlights the research I’ve been conducting since 2013 into different realities that often seem fixed, but which I actually question. The image of reality that is presented to society can condition us and shape our frame of reference. By showing different perspectives, responding with my own observations, and outlining possible scenarios, I’m challenging the viewer to broaden their horizons. Both projects depict the changing world. Where is the partY…? offers a reflection on an ominous society and vision of the future and The Brink 2020 looks at the Covid-19 pandemic from an inner perspective composed of documentary images.

The exhibition highlights the research I’ve been conducting since 2013 into different realities that often seem fixed, but which I actually question. The image of reality that is presented to society can condition us and shape our frame of reference. By showing different perspectives, responding with my own observations, and outlining possible scenarios, I’m challenging the viewer to broaden their horizons. Both projects depict the changing world. Where is the partY…? offers a reflection on an ominous society and vision of the future and The Brink 2020 looks at the Covid-19 pandemic from an inner perspective composed of documentary images.

The exhibition highlights the research I’ve been conducting since 2013 into different realities that often seem fixed, but which I actually question. The image of reality that is presented to society can condition us and shape our frame of reference. By showing different perspectives, responding with my own observations, and outlining possible scenarios, I’m challenging the viewer to broaden their horizons. Both projects depict the changing world. Where is the partY…? offers a reflection on an ominous society and vision of the future and The Brink 2020 looks at the Covid-19 pandemic from an inner perspective composed of documentary images.

In this recent project Where is the partY…? offers a reflection on an ominous society and vision of the future. The unrest, dissatisfaction and tensions I’ve observed are alienating and in a sense frightening and overwhelming; where is society and the world going? The challenges humanity faces are immense and will have to be faced in order to bring change at all. In these turbulent times, prevailing power structures, values and norms are being questioned and challenged. The human dimension and the importance of the individual have been subordinated to current systems. Strong interests exist to maintain systems. Choices have been made to cut back on social structures, on which foundations for society and democracy are based. The coronavirus pandemic has shaken the security of humanity. All kinds of abuses, from climate change via the history of slavery and migration to criminality in the upper echelons are becoming more visible, it seems as if the world is built from parallel worlds. From my necessity as a photojournalist and artist to give interpretation and to clarify things, I began to unravel the complexity that I’ve experienced and witnessed. Making the invisible visible from my imagination, bringing the undercurrents to the surface, showing the factual observations and meld both worlds together. Each image is created intuitively and tells its own layered story. These composite images are built from my photojournalistic and daily life archive. The alienation these images evoke, I see as a wonderful spectacle that takes place in a surrealistic and magic-realistic world. I invite the viewer to view the images in an unbiased and open-minded way. The project originated last year (2021) and will continue to expand.

In this recent project Where is the partY…? offers a reflection on an ominous society and vision of the future. The unrest, dissatisfaction and tensions I’ve observed are alienating and in a sense frightening and overwhelming; where is society and the world going? The challenges humanity faces are immense and will have to be faced in order to bring change at all. In these turbulent times, prevailing power structures, values and norms are being questioned and challenged. The human dimension and the importance of the individual have been subordinated to current systems. Strong interests exist to maintain systems. Choices have been made to cut back on social structures, on which foundations for society and democracy are based. The coronavirus pandemic has shaken the security of humanity. All kinds of abuses, from climate change via the history of slavery and migration to criminality in the upper echelons are becoming more visible, it seems as if the world is built from parallel worlds. From my necessity as a photojournalist and artist to give interpretation and to clarify things, I began to unravel the complexity that I’ve experienced and witnessed. Making the invisible visible from my imagination, bringing the undercurrents to the surface, showing the factual observations and meld both worlds together. Each image is created intuitively and tells its own layered story. These composite images are built from my photojournalistic and daily life archive. The alienation these images evoke, I see as a wonderful spectacle that takes place in a surrealistic and magic-realistic world. I invite the viewer to view the images in an unbiased and open-minded way. The project originated last year (2021) and will continue to expand.

In this recent project Where is the partY…? offers a reflection on an ominous society and vision of the future. The unrest, dissatisfaction and tensions I’ve observed are alienating and in a sense frightening and overwhelming; where is society and the world going? The challenges humanity faces are immense and will have to be faced in order to bring change at all. In these turbulent times, prevailing power structures, values and norms are being questioned and challenged. The human dimension and the importance of the individual have been subordinated to current systems. Strong interests exist to maintain systems. Choices have been made to cut back on social structures, on which foundations for society and democracy are based. The coronavirus pandemic has shaken the security of humanity. All kinds of abuses, from climate change via the history of slavery and migration to criminality in the upper echelons are becoming more visible, it seems as if the world is built from parallel worlds. From my necessity as a photojournalist and artist to give interpretation and to clarify things, I began to unravel the complexity that I’ve experienced and witnessed. Making the invisible visible from my imagination, bringing the undercurrents to the surface, showing the factual observations and meld both worlds together. Each image is created intuitively and tells its own layered story. These composite images are built from my photojournalistic and daily life archive. The alienation these images evoke, I see as a wonderful spectacle that takes place in a surrealistic and magic-realistic world. I invite the viewer to view the images in an unbiased and open-minded way. The project originated last year (2021) and will continue to expand.

In this recent project Where is the partY…? offers a reflection on an ominous society and vision of the future. The unrest, dissatisfaction and tensions I’ve observed are alienating and in a sense frightening and overwhelming; where is society and the world going? The challenges humanity faces are immense and will have to be faced in order to bring change at all. In these turbulent times, prevailing power structures, values and norms are being questioned and challenged. The human dimension and the importance of the individual have been subordinated to current systems. Strong interests exist to maintain systems. Choices have been made to cut back on social structures, on which foundations for society and democracy are based. The coronavirus pandemic has shaken the security of humanity. All kinds of abuses, from climate change via the history of slavery and migration to criminality in the upper echelons are becoming more visible, it seems as if the world is built from parallel worlds. From my necessity as a photojournalist and artist to give interpretation and to clarify things, I began to unravel the complexity that I’ve experienced and witnessed. Making the invisible visible from my imagination, bringing the undercurrents to the surface, showing the factual observations and meld both worlds together. Each image is created intuitively and tells its own layered story. These composite images are built from my photojournalistic and daily life archive. The alienation these images evoke, I see as a wonderful spectacle that takes place in a surrealistic and magic-realistic world. I invite the viewer to view the images in an unbiased and open-minded way. The project originated last year (2021) and will continue to expand.

In this recent project Where is the partY…? offers a reflection on an ominous society and vision of the future. The unrest, dissatisfaction and tensions I’ve observed are alienating and in a sense frightening and overwhelming; where is society and the world going? The challenges humanity faces are immense and will have to be faced in order to bring change at all. In these turbulent times, prevailing power structures, values and norms are being questioned and challenged. The human dimension and the importance of the individual have been subordinated to current systems. Strong interests exist to maintain systems. Choices have been made to cut back on social structures, on which foundations for society and democracy are based. The coronavirus pandemic has shaken the security of humanity. All kinds of abuses, from climate change via the history of slavery and migration to criminality in the upper echelons are becoming more visible, it seems as if the world is built from parallel worlds. From my necessity as a photojournalist and artist to give interpretation and to clarify things, I began to unravel the complexity that I’ve experienced and witnessed. Making the invisible visible from my imagination, bringing the undercurrents to the surface, showing the factual observations and meld both worlds together. Each image is created intuitively and tells its own layered story. These composite images are built from my photojournalistic and daily life archive. The alienation these images evoke, I see as a wonderful spectacle that takes place in a surrealistic and magic-realistic world. I invite the viewer to view the images in an unbiased and open-minded way. The project originated last year (2021) and will continue to expand.

In this recent project Where is the partY…? offers a reflection on an ominous society and vision of the future. The unrest, dissatisfaction and tensions I’ve observed are alienating and in a sense frightening and overwhelming; where is society and the world going? The challenges humanity faces are immense and will have to be faced in order to bring change at all. In these turbulent times, prevailing power structures, values and norms are being questioned and challenged. The human dimension and the importance of the individual have been subordinated to current systems. Strong interests exist to maintain systems. Choices have been made to cut back on social structures, on which foundations for society and democracy are based. The coronavirus pandemic has shaken the security of humanity. All kinds of abuses, from climate change via the history of slavery and migration to criminality in the upper echelons are becoming more visible, it seems as if the world is built from parallel worlds. From my necessity as a photojournalist and artist to give interpretation and to clarify things, I began to unravel the complexity that I’ve experienced and witnessed. Making the invisible visible from my imagination, bringing the undercurrents to the surface, showing the factual observations and meld both worlds together. Each image is created intuitively and tells its own layered story. These composite images are built from my photojournalistic and daily life archive. The alienation these images evoke, I see as a wonderful spectacle that takes place in a surrealistic and magic-realistic world. I invite the viewer to view the images in an unbiased and open-minded way. The project originated last year (2021) and will continue to expand.

In this recent project Where is the partY…? offers a reflection on an ominous society and vision of the future. The unrest, dissatisfaction and tensions I’ve observed are alienating and in a sense frightening and overwhelming; where is society and the world going? The challenges humanity faces are immense and will have to be faced in order to bring change at all. In these turbulent times, prevailing power structures, values and norms are being questioned and challenged. The human dimension and the importance of the individual have been subordinated to current systems. Strong interests exist to maintain systems. Choices have been made to cut back on social structures, on which foundations for society and democracy are based. The coronavirus pandemic has shaken the security of humanity. All kinds of abuses, from climate change via the history of slavery and migration to criminality in the upper echelons are becoming more visible, it seems as if the world is built from parallel worlds. From my necessity as a photojournalist and artist to give interpretation and to clarify things, I began to unravel the complexity that I’ve experienced and witnessed. Making the invisible visible from my imagination, bringing the undercurrents to the surface, showing the factual observations and meld both worlds together. Each image is created intuitively and tells its own layered story. These composite images are built from my photojournalistic and daily life archive. The alienation these images evoke, I see as a wonderful spectacle that takes place in a surrealistic and magic-realistic world. I invite the viewer to view the images in an unbiased and open-minded way. The project originated last year (2021) and will continue to expand.

Awakening to a new reality. The pandemic arrives as an unpleasant surprise and is accompanied by a lot of uncertainty and fear. There is a run on toilet paper, resulting in empty shelves, the epitome of survival instinct. The toilet roll as a weapon in the corona battle, the human being trapped in a web of selfishness and locked in an “intelligent lockdown.” On all sides, the gates crack and the walls are bursting. For how long will our government be able to maintain these restrictions and restrain the people? The global economy comes to a standstill. Financial gain is above human interest. How is the individual able to survive this crisis? Our surroundings change overnight, suddenly there are arrows everywhere, tape, transparent screens, facemasks; the one-and-a-half-metre society is created. The current reality is alienating, surreal almost, we find ourselves in a new world in which the rules of the game have yet to be discovered. It feels like we woke up on another planet. Is our humanity still intact or does the survival of the fittest apply? An intriguing rendition of the corona era in motion. Dancers are the ideal metaphor for human behaviour: the condition humaine. BAS & Whitney Selina embody and express The Brink 2020 through their physical expressions of their emotions and feelings in relation to the corona crisis. Their internal expierence is projected into the outside world; a new synergistic reality emerges in images.

Photo book Het Kantelpunt 2020 *Specifications photo book: Flatbook – edition 220 Offset print – full colour – NL & ENG Hard cover – 68 pages + 71 photos Portrait format 28 x 20 cm Book design: Iris Mechielsen Printing: Zwaan Printmedia Binding: Voetelink Awakening to a new reality. The pandemic arrives as an unpleasant surprise and is accompanied by a lot of uncertainty and fear. There is a run on toilet paper, resulting in empty shelves, the epitome of survival instinct. The toilet roll as a weapon in the corona battle, the human being trapped in a web of selfishness and locked in an “intelligent lockdown.” On all sides, the gates crack and the walls are bursting. For how long will our government be able to maintain these restrictions and restrain the people? The global economy comes to a standstill. Financial gain is above human interest. How is the individual able to survive this crisis? Our surroundings change overnight, suddenly there are arrows everywhere, tape, transparent screens, facemasks; the one-and-a-half-metre society is created. The current reality is alienating, surreal almost, we find ourselves in a new world in which the rules of the game have yet to be discovered. It feels like we woke up on another planet. Is our humanity still intact or does the survival of the fittest apply? An intriguing rendition of the corona era in motion. Dancers are the ideal metaphor for human behaviour: the condition humaine. BAS & Whitney Selina embody and express The Brink 2020 through their physical expressions of their emotions and feelings in relation to the corona crisis. Their internal expierence is projected into the outside world; a new synergistic reality emerges in images.

Photo book Het Kantelpunt 2020 *Specifications photo book: Flatbook – edition 220 Offset print – full colour – NL & ENG Hard cover – 68 pages + 71 photos Portrait format 28 x 20 cm Book design: Iris Mechielsen Printing: Zwaan Printmedia Binding: Voetelink

Photo book Het Kantelpunt 2020 *Specifications photo book: Flatbook – edition 220 Offset print – full colour – NL & ENG Hard cover – 68 pages + 71 photos Portrait format 28 x 20 cm Book design: Iris Mechielsen Printing: Zwaan Printmedia Binding: Voetelink

The Brink 2020, covers four different themes relating to COVID-19, which are shown in art photographs and art films. The art project was seen in the public on outdoor panels from 5 – 16 June 2020 in Rotterdam, in The Hague from 23 – 31 August 2020. *The outdoor exhibition in The Hague was possible by the Stroom Promise subsidy from Art centre Stroom The Hague.

The Brink 2020, covers four different themes relating to COVID-19, which are shown in art photographs and art films. The art project was seen in the public on outdoor panels from 5 – 16 June 2020 in Rotterdam, in The Hague from 23 – 31 August 2020. *The outdoor exhibition in The Hague was possible by the Stroom Promise subsidy from Art centre Stroom The Hague.

The Brink 2020 launched the outdoor Art in The Hague with a performance by BAS & Whitney Selina on the 23th of August 2020. The Brink 2020, covers four different themes relating to COVID-19, which are shown in art photographs and art films. The art project was seen in the public on outdoor panels from 5 – 16 June 2020 in Rotterdam, in The Hague from 23 – 31 August 2020. *The outdoor exhibition in The Hague was possible by the Stroom Promise subsidy from Art centre Stroom The Hague.

Kamigakari represents the elusive, between reality and fiction, in mysterious and intriguing Japan.

Kamigakari represents the elusive, between reality and fiction, in mysterious and intriguing Japan.

Kamigakari represents the elusive, between reality and fiction, in mysterious and intriguing Japan.

Kamigakari represents the elusive, between reality and fiction, in mysterious and intriguing Japan.

Kamigakari represents the elusive, between reality and fiction, in mysterious and intriguing Japan.

Kamigakari represents the elusive, between reality and fiction, in mysterious and intriguing Japan.

Kamigakari represents the elusive, between reality and fiction, in mysterious and intriguing Japan.

Kamigakari represents the elusive, between reality and fiction, in mysterious and intriguing Japan.

Kamigakari represents the elusive, between reality and fiction, in mysterious and intriguing Japan.

Kamigakari represents the elusive, between reality and fiction, in mysterious and intriguing Japan.

Kamigakari represents the elusive, between reality and fiction, in mysterious and intriguing Japan.

Kamigakari represents the elusive, between reality and fiction, in mysterious and intriguing Japan.

Kamigakari represents the elusive, between reality and fiction, in mysterious and intriguing Japan.

Energies creates reality. Reality is perceived trough filters. This colours the reality. Colouring creates confusion.

Energies creates reality. Reality is perceived trough filters. This colours the reality. Colouring creates confusion.

Energies creates reality. Reality is perceived trough filters. This colours the reality. Colouring creates confusion.

Energies creates reality. Reality is perceived trough filters. This colours the reality. Colouring creates confusion.

Energies creates reality. Reality is perceived trough filters. This colours the reality. Colouring creates confusion.

Energies creates reality. Reality is perceived trough filters. This colours the reality. Colouring creates confusion.

Energies creates reality. Reality is perceived trough filters. This colours the reality. Colouring creates confusion.

Reality seems so well-defined, the intersection and overlap between reality and fiction for me it is very interesting to research and experiment. The research is about the outer visible world and the tangible inner world of experience. Senegalese dancer Madiba is dancing closed to Talibes childern.

Reality seems so well-defined, the intersection and overlap between reality and fiction for me it is very interesting to research and experiment. The research is about the outer visible world and the tangible inner world of experience. Senegalese dancer Madiba is dancing closed to Talibes childern.

Reality seems so well-defined, the intersection and overlap between reality and fiction for me it is very interesting to research and experiment. The research is about the outer visible world and the tangible inner world of experience. Senegalese dancer Alioune interpret the epitome of the project Isabouckar.

Reality seems so well-defined, the intersection and overlap between reality and fiction for me it is very interesting to research and experiment. The research is about the outer visible world and the tangible inner world of experience in Senegal.

Reality seems so well-defined, the intersection and overlap between reality and fiction for me it is very interesting to research and experiment. The research is about the outer visible world and the tangible inner world of experience. Senegalese dancer Madiba interpret the epitome of the project Isabouckar.

Reality seems so well-defined, the intersection and overlap between reality and fiction for me it is very interesting to research and experiment. The research is about the outer visible world and the tangible inner world of experience. Senegalese dancer Madiba interpret the epitome of the project Isabouckar.

Reality seems so well-defined, the intersection and overlap between reality and fiction for me it is very interesting to research and experiment. The research is about the outer visible world and the tangible inner world of experience in Senegal.

Reality seems so well-defined, the intersection and overlap between reality and fiction for me it is very interesting to research and experiment. The research is about the outer visible world and the tangible inner world of experience. Senegalese dancer Madiba interpret the epitome of the project Isabouckar.

Reality seems so well-defined, the intersection and overlap between reality and fiction for me it is very interesting to research and experiment. The research is about the outer visible world and the tangible inner world of experience in Senegal.

Reality seems so well-defined, the intersection and overlap between reality and fiction for me it is very interesting to research and experiment. The research is about the outer visible world and the tangible inner world of experience in Senegal.

Reality seems so well-defined, the intersection and overlap between reality and fiction for me it is very interesting to research and experiment. The research is about the outer visible world and the tangible inner world of experience in Senegal.

Reality seems so well-defined, the intersection and overlap between reality and fiction for me it is very interesting to research and experiment. The research is about the outer visible world and the tangible inner world of experience. Senegalese dancer Madiba interpret the epitome of the project Isabouckar.

Reality seems so well-defined, the intersection and overlap between reality and fiction for me it is very interesting to research and experiment. The research is about the outer visible world and the tangible inner world of experience in Senegal.

Reality seems so well-defined, the intersection and overlap between reality and fiction for me it is very interesting to research and experiment. The research is about the outer visible world and the tangible inner world of experience. Senegalese dancer Aram interpret the epitome of the project Isabouckar.

Reality seems so well-defined, the intersection and overlap between reality and fiction for me it is very interesting to research and experiment. The research is about the outer visible world and the tangible inner world of experience. Senegalese dancer Aram interpret the epitome of the project Isabouckar.

Reality seems so well-defined, the intersection and overlap between reality and fiction for me it is very interesting to research and experiment. The research is about the outer visible world and the tangible inner world of experience. Senegalese dancer Aram interpret the epitome of the project Isabouckar.

Reality seems so well-defined, the intersection and overlap between reality and fiction for me it is very interesting to research and experiment. The research is about the outer visible world and the tangible inner world of experience. Senegalese dancer Aram interpret the epitome of the project Isabouckar.