-
![Troubled Waters]( "Troubled Waters")
infoSoundscape and live performance at Expo Bart (Nijmegen) as part of Valentina Gal's exhibition.
-
![Texture Transfer]( "Texture Transfer")
infoLive music performance with custom built music plugin at Dutch Design Week
-
I Hear You, You Hear Me (60 min version)info
60 min. stereo adaptation of Yon Eta’s (Maarten Brijker) multi-channel sound-installation, as shown at the Premija Exhibition by Contemporary Art Centre (CAC), Vilnius. The multi-channel sound piece I Hear You, You Hear Me, explores the intimacy and physicality of sound. Specifically, the work focusses on the textures of the voice and its function within human connection and feelings of closeness during isolation. More profoundly, the piece plays with the idea of ‘being’ on a relational level between humans; we exist within the relation to one another. Building on a personal archive of daily— and intimate— sounds captured during lockdown, combined with voice-recordings and sound compositions exploring imagination, the work aims to reflect on the past year.
-
![I Hear You, You Hear Me]( "I Hear You, You Hear Me")
infoThe multi-channel sound piece ‘I Hear You, You Hear Me’, explores the intimacy and physicality of sound. Specifically, the work focusses on the textures of the voice and its function within human connection and feelings of closeness during isolation. Building on a personal archive of daily— and intimate— sounds captured during lockdown, combined with voice-recordings and sound compositions exploring imagination, the work aims to reflect on the past year.
-
![I Hear You, You Hear Me]( "I Hear You, You Hear Me")
info60 min. stereo adaptation of Yon Eta’s (Maarten Brijker) multi-channel sound-installation, as shown at the Premija Exhibition by Contemporary Art Centre (CAC), Vilnius. The multi-channel sound piece I Hear You, You Hear Me, explores the intimacy and physicality of sound. Specifically, the work focusses on the textures of the voice and its function within human connection and feelings of closeness during isolation. More profoundly, the piece plays with the idea of ‘being’ on a relational level between humans; we exist within the relation to one another. Building on a personal archive of daily— and intimate— sounds captured during lockdown, combined with voice-recordings and sound compositions exploring imagination, the work aims to reflect on the past year.
-
![I Hear You, You Hear Me]( "I Hear You, You Hear Me")
infoInstallation view
-
info
Live performance
-
info
Videoclip for Eclipse, by R. B. van Heesch
-
info
Public performance.
-
![Moving Time (live)]( "Moving Time (live)")
infoMoving Time (live)
-
![Take me 2 the feeling]( "Take me 2 the feeling")
infoTake me 2 the feeling (artwork)
-
info
Soundreel ‘The Playboy and the Buddha’
-
![20 20]( "20 20")
info -
![Islas Inútiles]( "Islas Inútiles")
info -
![Void, Separation & Waiting]( "Void, Separation & Waiting")
info -
![Esc.]( "Esc.")
info -
![Esc.]( "Esc.")
info -
info
-
![A Sky Unseen]( "A Sky Unseen")
info -
![Metastasis]( "Metastasis")
info
Social media
Member of Artists’ Initiative/Collective/Incubator
Bar None, Devorm
Member of a platform, digital or otherwise
DEVORM
Bar None
Curriculum vitae
Education
-
2016 - 2018MA Artscience Den Haag, Koninklijke Academie van Beeldende Kunsten diploma
-
2012 - 2016BA Economics - micro/macro economy Universiteit van Amsterdam diploma
exhibitions
-
2023Texture Transfer Dutch Design Week Eindhoven, Netherlands Live music performance Group
-
2021I Hear You, You Hear Me Contemporary Art Centre (CAC) Vilnius, Lithuania Multi-channel sound installation exploring the intimacy and physicality of sound. Specifically, the work focusses on the textures of the voice and its function within human connection and feelings of closeness during isolation. More profoundly, the piece plays with the idea of ‘being’ on a relational level between humans; we exist within the relation to one another. Building on a personal archive of daily— and intimate— sounds captured during lockdown, combined with voice-recordings and sound compositions exploring imagination, the work aims to reflect on the past year. I Hear You, You Hear Me is an ever-evolving sound-scape which was opened by a live performance on the opening night of the exhibition. www.mixcloud.com/rasuradijas/i-hear-you-you-hear-me/ Group
-
2021The School of Narrative Dance, Amsterdam TAAK / Public space Amsterdam, Netherlands Under the extraordinary circumstances of the covid-19 pandemic, artist Marinella Senatore brought The School of Narrative Dance to Amsterdam, at TAAK’s invitation. For this edition, TAAK and Senatore invited Amsterdam residents to join her in reflecting upon the ‘new normal’: what are its social consequences, can we establish (new) connections together, what is the meaning of public space as a place for encounter in this time, and how will it redefine notions such as individuality and collectivity? Which experiences and insights do we carry with us when we return to the old normal? For this I created in collaboration with Marinella and the rest of the team various soundpieces that the performances were based on. vimeo.com/572565739 Group
-
2021Moving Time (live) The Grey Space in the Middle The Hague, Netherlands Back in April 2021 I had the pleasure of performing live through streaming amidst the pandemic. For the Grey Space in the Middle I performed 30 mins of material live, recontextualising music with sound design and foley effects. www.youtube.com/watch?v=dFIe4DZO3mk&ab_channel=TheGreySpaceintheMiddle Group
-
202023 degrees / Esrim Veshalosh Ma’alot SNDO Amsterdam, Netherlands audiovisual performance with Tamir Eting & Nikki Hock Group
-
2019Bus Nutarta / Details Will Be Ours Rupert Vilnius, Lithuania Bus Nutarta / Details Will Be Ours, a group show at Rupert. Exhibited the work In My Dreams I Stand Upon A Void II (dream altar) – an immersive sound installation exploring different dreamstates through sound and creating a sonic narrative with three musical voices. Group
-
2019Ideas emerging to different people at the same time Vasaros Amfiteatras Druskininkai, Lithuania As part of the 'Ideas emerging to different people at the same time' event of live sound performances organised by D.A.R. x The Good Neighbour, I presented a live recontextualisation of field-recordings and composed material researching different dreamstates. Group
-
201820 20 SNDO Amsterdam 20 20 is a dance performance for three dancers and a modular light sculpture made out of twenty metal strips of led lights. The spectators are led into complete darkness and invited to immerse in this abyss while their senses gradually open up to set the stage for a thoroughly tactile experience. 20 20 is a dance-piece by dancer Tamir Eting and sound-piece by me.
-
2018In my dreams I stand upon a void KABK - Graduation Festival The Hague Immersive sound installation resembling a dialogue between three fictional characters inside a dream. The work consisted of a completely dark space, five speakers and three tiny blue lights and acts as an audio play using music, foley sounds and voice-overs. The work deals with themes as anxiety, dreamstates and interpersonal conflicts and explores a method of constructed identity for creating art. Group
-
2017Esc. De Fabriek Eindhoven, Netherlands Esc. - interactive audiovisual sculpture making use of Augmented Reality and a spatial ASMR soundpiece Group
-
2017Hybrid A/V Todays Art Festival The Hague, Netherlands Hybrid A/V performance about online sample culture with artist Sphynx 20 20 is a dance-piece by dancer Tamir Eting and sound-piece by me. Group
-
2017Erratico SNDO Amsterdam Erratico - dancepiece with soundpiece around paranodal space and shifting through time Group
-
2017A Sky Unseen Fort1818 Hoek van Holland A Sky Unseen - site-specific AV installation and film proposing multiple speculative scenarios Group
-
2016Viral Radio Red Light Radio Amsterdam Viral Radio - year long monthly audioperformance inspired by new internet music Group
-
2011The PJ's Freemote Festival Utrecht The PJs - a collaborative user-interaction piece with Studio Zesbaans Group
Projects
-
2021
Take me 2 the feeling Online yoneta.bandcamp.com/ Dutch composer, sound-artist and DJ Yon Eta presents ‘Take me 2 the feeling’, his first official music release. ‘Take me 2 the feeling’ features seven songs that have a music box quality to them: soft, charming but also delicate, reflecting the fact that making each of them was a meditative process for the producer. These sparkling, deceptively simple and affecting compositions have arisen from Eta’s music making as a ritual act, one that has helped him process and reconnect with himself amidst a whirlpool of new experiences. 7 tracks, comes with videoclip.
-
2018
Islas Inútiles Amsterdam, Netherlands Islas Inútiles is an exploration in Dutch Caribbean creativity in the form of a club event by Bar None (Maarten Brijker & Fedor Oduber). Using two club spaces, a bar/gallery, and a cinema all situated in the OT301 venue in Amsterdam, we curated various elements to tell one big immersive story.
-
2017
Void, Separation & Waiting DEVORM d-e-v-o-r-m.com/004/ Hybrid project for art platform DEVORM, made in collaboration with artists Ghost Kwini, Sphynx and Zgjim Elshani. A project around biology, technology and information economics - shaped into a loveplay with cells starring the lead roles. The collaboration resulted into a series of bio organism packs, special made tokens, an online 3d explorative environment and 6 soundscapes.
-
2016
Metastasis DEVORM
-
2013
For God’s Sake audiovisual work about a young boy’s fantasy world
International exchanges/Residencies
-
2019Rupert Vilnius, Lithuania May - October 2019
-
2019D.A.R. x The Good Neighbour Druskininkai, Lithuania residency for composers D.A.R. x The Good Neighbour
Commissions
-
2024Troubled Waters Expo Bart Nijmegen, Netherlands Sound and live performance for exhibition by Valentina Gal finished
-
2023Mount Meru and the Three Realms Pakt Amsterdam, Netherlands Sound for Video by Beng Yuenyong finished
-
2021The Sleep of Reason Produces Monsters Amsterdam, Netherlands an immersive 4-chapter VR experience that investigates the role of nightmares in our daily existence, symbolism that can be found across different cultures and disciplines, types, and possible meanings behind the nightmares through the lens of both personal experience and research. For this project I have collaborated closely with Visual Artist and Designer Leeza Pritychenko and made compositions for each scene, sound-design and mixed and managed the Voice-over recording process for her. finished
-
2019Do You Believe in Magic? Den Haag, Netherlands sound design and composition for video by Leith Benkhedda finished
-
2019Ambient Emo Synchronizer cinekid Amsterdam, Netherlands sound design for installation 'Ambient Emo Synchronizer' by Leith Benkhedda & Diego Grandry finished
-
2017Where the money is made Amsterdam, Netherlands The Afronauts - soundpiece for Christina de Middel’s exhibition finished
-
2014The Afronauts FOAM Amsterdam The Afronauts - soundpiece for Christina de Middel’s exhibition finished
Publications
-
2017Featured: Yon Eta MusicMap Global online interview
Awards and grants
-
2013Winner in the category Best Photography with audiovisual groupwork ‘For God’s Sake’ Berlin Music Video Awards
-
2010Winner in the category Dance/Producer Grote Prijs van NL
Secondary art-related activities
-
2016 - 2018Bar None - monthly event for new club music (doing curation and artdirection) On-going
-
2015 - 2018DEVORM - interdisciplinary artplatform (doing curation, product design and artdirection) On-going