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In collaboration with Jan Dirk Adams https://youtu.be/aejnOIRLsbw
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“There are all the Tigers coming back to eat me up! What shall I do?” * Initially, the project revolved around a Hindu myth, which proclaims that every occasion relates to every other, and all are perfectly balanced. While labouring on it, the myth became eerily entangled with my life: My hand was severely wounded by a saw, just as the mythical king lost his hand to a tiger. I kept asking myself: How this occasion connects with others? How can my life ever become balanced? I have not found the answer yet — but life goes on. So in my project, I decided to punish the tiger: the mythical culprit. I found the way how to punish the tigers from an old American children's book*. In the book, the boy was almost eaten by tigers, but instead of being eaten, he let the tigers run around a tree. The tigers ran so fast, that they melted together and became butter. The boys mum then made a lot of pancakes, and they ate all of them up. Good occasion, bad occasion, turning like a wheel. How do they link? What tigers affect our lives? We do not know yet — so we can only go on.
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“There are all the Tigers coming back to eat me up! What shall I do?” * Initially, the project revolved around a Hindu myth, which proclaims that every occasion relates to every other, and all are perfectly balanced. While labouring on it, the myth became eerily entangled with my life: My hand was severely wounded by a saw, just as the mythical king lost his hand to a tiger. I kept asking myself: How this occasion connects with others? How can my life ever become balanced? I have not found the answer yet — but life goes on. So in my project, I decided to punish the tiger: the mythical culprit. I found the way how to punish the tigers from an old American children's book*. In the book, the boy was almost eaten by tigers, but instead of being eaten, he let the tigers run around a tree. The tigers ran so fast, that they melted together and became butter. The boys mum then made a lot of pancakes, and they ate all of them up. Good occasion, bad occasion, turning like a wheel. How do they link? What tigers affect our lives? We do not know yet — so we can only go on.
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halfwaywhere-yukari nakamichi.jpg Photo by Louis Van Onna This paintings are based on one parable, which was told by Buddha. I depicted heaven and hell. The cow in the middle is suffering in this world.
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Once the fortune wheel turned, the whole balance will be slightly changed and settles down in certain position. However it will never be same as before.
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Once the fortune wheel turned, the whole balance will be slightly changed and settles down in certain position. However it will never be same as before.
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I have moved several more times in my life. Each time I brought with me a plant. I was always encouraged by my plant when I see its growth. People move from their home land by various reasons. Finding a place is difficult. Striking roots, sometimes in inhospitable surroundings – that is even more exasperating. In Floating Roots, I take a hint from a succulent. When a leaf departs from the plant, it strikes roots. In this installation, the translucent box contains nothing but water and a few leaves. Yet, even in this improvised surrounds, they begin rooting within weeks. Some plants can travel in space and time — and carry their roots with them. Like the current state of me, like the current state of us.
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I have moved several more times in my life. Each time I brought with me a plant. I was always encouraged by my plant when I see its growth. People move from their home land by various reasons. Finding a place is difficult. Striking roots, sometimes in inhospitable surroundings – that is even more exasperating. In Floating Roots, I take a hint from a succulent. When a leaf departs from the plant, it strikes roots. In this installation, the translucent box contains nothing but water and a few leaves. Yet, even in this improvised surrounds, they begin rooting within weeks. Some plants can travel in space and time — and carry their roots with them. Like the current state of me, like the current state of us.
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This man is always angry. He is having so much pressure to be high position of social hierarchy. He is looking down the world in same time he is lonely. As small help, I gave him a swimming pool. In case he falls down, he can still survive.
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This man is always angry. He is having so much pressure to be high position of social hierarchy. He is looking down the world in same time he is lonely. As small help, I gave him a swimming pool. In case he falls down, he can still survive.
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When I was a child, my friend told me there was a fairy living in a secret hide-out under the swimming pool of our school. We could see the fairy's house by looking into a vent. When I looked into it from time to time, I felt I really could see the fairy. In the work I refer to the imaginary nature of childhood.
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When I was a child, my friend told me there was a fairy living in a secret hide-out under the swimming pool of our school. We could see the fairy's house by looking into a vent. When I looked into it from time to time, I felt I really could see the fairy. In the work I refer to the imaginary nature of childhood.
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The days, when we were the same height as hem of Mom's skirt. The skirt reminds you your old times. How small you were. How big the world surrounding you.
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The days, when we were the same height as hem of Mom's skirt. The skirt reminds you your old times. How small you were. How big the world surrounding you.
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How people find their alone time? Six monitors shows different people's different alone time situations.
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When the wind blows, the coopers profit. This is a proverb in Japan. I looked back my life and thought about what was the connection of each occasions and what was the consequence. I made the loom which is connecting with my past life. The installation is showing how single elements connect each other and these elements are necessary to lead to the consequence.
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When the wind blows, the coopers profit. This is a proverb in Japan. I looked back my life and thought about what was the connection of each occasions and what was the consequence. I made the loom which is connecting with my past life. The installation is showing how single elements connect each other and these elements are necessary to lead to the consequence.
Websites
Personal website
www.yukarinakamichi.comWebsite of artist's initiative
www.hgtomirosa.com/Website of artist's initiative
www.billytown.org/Member of Artists’ Initiative/Collective/Incubator
Hgtomi rosa, Billytown
Curriculum vitae
Education
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2014 - 2019Bachelor Fine Art Den Haag, Koninklijke Academie van Beeldende Kunsten diploma
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2006 - 2010Bachalor Textile design Tama Art University, Tokyo, Japan diploma
exhibitions
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2023
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2023Onze Nederlandse Maatjes WARP Sint-Niklaas, Belgium Op deze tentoonstelling werken we samen met bevriende organisaties uit Nederland: ‘Onze Nederlandse Maatjes’ dus: CBK Zeeland, De Fabriek Eindhoven, Make Eindhoven, Gallery O-68, Pennings Foundation, Theatre of Wrong Decisions, Quartair Den Haag. Elke organisatie stelde 1 of meer kunstenaars aan ons voor. Curator Ilka De Wilde selecteerde hieruit kunstwerken die ook u gezien moet hebben. We verwelkomen je graag op de vernissage, op 29 april om 16.00u, met ‘maatjes’ en ‘Zeeuwse oesters’ als versnaperingen. Hiermee her-openen we ook de lentebar in de gezelligste tuin van Sint-Niklaas. We kijken uit naar de werken van: Eleye Boerenkamps - Marwan Bassioni - Anna Guedes - Bas Ketelaars - Charlotte Koenen - Liesbeth Labeur - Lily Lanfermeijer - Luis Maly - Yukari Nakamichi – Theatre of Wrong Decisions - Dieke Venema - Roos Vogels. www.warp-art.be/ Group
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2023What used to be a beautiful villa Billytown The Hague, Netherlands For What used to be a beautiful villa the exhibition space is transformed into a ruin; a deserted house where people used to live. It is always exciting when you see the door to a deserted building left ajar. Hansje Struijk, Alexander Webber, Yukari Nakamichi, Kiara Mohamad, Stijn Pommee, Jan Dirk Adams, Ramon Ottenhof, Pietertje van Splunter, John Sheldon and others will move into this deserted house and make it their very own Villa Villekulla. Curated by Jan Dirk Adams and Yukari Nakamichi Group
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2023A Grand Day Out Kate Amsterdam, Netherlands Early in the morning of September 30th, artists from Billytown will gather their proverbial bags and embark on a journey towards the lights of the Big City. Carrying their carefully selected artworks on the Billy-bus, an extraordinary excursion is anticipated- a true Grand Day Out is in the making. This group show exhibit works from: Jan Dirk Adams, Melle de Boer, Katherine Heil, Sam Hersbach, Robbin Heyker, Maja Klaassens, Rik Möhlmann, Yukari Nakamichi, Robbert Pauwels, Iede Reckman, Alexander Webber, Marieke van ‘t Zet. katekatekate.nl/ Group
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2022Back to Normal Quartair The Hague, Netherlands During The Hague Contemporary Art Weekend we will present Back to Normal, an international collaborative exhibition & network event, initiated by the Alternative Art Guide and Artist-Run Network Europe (ARNE). Back to Normal is loosely based on the recurring idea of “normality” after the pandemic, and more recently challenged by the emergence of the war. The exhibition runs from July 1st to 24th, involving twelve artistic initiatives: Quartair, Billytown, Hgtomi Rosa, Trixie, Artisterium, Flux Factory, U10, Sandwich Gallery, 16/16, C5cnm, MA Project, Uniarte. Group
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2022Studio Appreciation Day Hgtomi Rosa The Hague, Netherlands Group
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2022I am going to make it, You are going to make it Hgtomi Rosa The Hague, Netherlands Group
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2022RSVP #2 Billytown The Hague Group
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2021Drawing Appreciation Day ...ism project space The Hague, Netherlands Group
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2020Wide Angle on Happy Valley The Hague, Netherlands Group
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2020Kunstpodium T exTra #2: Expositie Kunstpodium T Tilburg, Netherlands Group
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2019Graduation Festival Royal Academy of Art, The Hague The Hague, Netherlands Group
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2019The Handshake Hgtomi Rosa The Hague, Netherlands Group
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2017A Foreign Affair Helena van Doeverenplantsoen 3 The Hague, Netherlands Group
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2017N0kia's Tag Line Moof The Hague, Netherlands Group
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2017RÝMD Root Border // Plant Defense Reykjavík, Iceland Group
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2017MIND THE OBJECT #3 Post galerija Kaunas, Lithuania Group
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2017Maine The gray space in the middle The Hague, Netherlands
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2016Hers; me Tad Gallery Denton, United States Group
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2015Wide Open 6 BWAC Gallery Brooklyn, United States Group
Commissions
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2019
Sales/Works in collections
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2021Original Life Drawing Private collections Gedera, Israël Pencil drawing
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2019Original Life Drawing Private collections Ciudad de Mexico, Mexico Pencil drawing
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2018Original Life Drawing Private collections Lynchburg, Verenigde Staten Pencil drawing
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2018Original Life Drawing Private collections Amsterdam, Nederland Pencil drawing
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2017Original Life Drawing Private collections Charlotte, Verenigde Staten Pencil drawing
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2017mit Brille ohne Brille Private collections Clearwater Bay, Hongkong Etching print
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2017Private collections Edmonton, Canada Pencil drawing
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2016Private collections Cico, Verenigde Staten Ceramic works
Publications
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2015Still Point VII Catalog Still point Art Gallery Maine, United States
reviews
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2018A Foreign Affair; Helena van Doeverenplantsoen 3, The Hague Blog/Vlog Bertus Pieters The Hague, Netherlands villanextdoor2.wordpress.com/2018/12/09/a-foreign-affair-helena-van-doeverenplantsoen-3-the-hague/
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2016Paroda „Mind the object #3“ POST galerijoje ir „Kabinete“ Website artnews.lt Kaunas, Lithuania artnews.lt/paroda-mind-object-3-post-galerijoje-39793
Awards and grants
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2015Best Three-Dimensional Artwork Still Art point Gallery Maine, United States
Secondary art-related activities
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2007 - 2018Drawing and design teacher at Suidobata art school,