Kamila Sipika

Hidden in Daylight is a project that showcases carefully chosen blooming plants representing certain characteristics to remain. It is dealing with the darkness of times, internal and external. The strong contrasts and serene lights come from the darkness but they reflect hope. That cycle of deterioration and rebirth is very prevalent in ecological systems and encourages me to re-learn the architecture of the passing days.

Mirroring the distinction between wild, raw nature and serene light All the attempts to create works that conveys a sense of tranquillity and connects the viewer to nature by emphasising the beauty in simplicity, such as unexpected, frequently overlooked details.

Stare into the maxed out brightness of the screen or the sun shape, withholding the gaze the surrounding immediately becomes darker and with closing eyes, the optical echo of the screen will remain. Focused on the afterimage that arises from the residual activity, retaining light after the source is gone. The paintings are generated images of such a situation's memories. And as painting medium is flattened, reproduced, edited, and distributed across multiple systems and devices, the blur posses its metaphorical dimension.

Stare into the maxed out brightness of the screen or the sun shape, withholding the gaze the surrounding immediately becomes darker and with closing eyes, the optical echo of the screen will remain. Focused on the afterimage that arises from the residual activity, retaining light after the source is gone. The paintings are generated images of such a situation's memories. And as painting medium is flattened, reproduced, edited, and distributed across multiple systems and devices, the blur posses its metaphorical dimension.